This is the king of Analog-style analog sequencers, it is VERY rare and powerful! I actually ended up with two of these amazing sequencers; and that is simply more sequencing power than I need and I’m looking to sell or perhaps a trade is more what I’m looking at. If you are interested, let’s talk!
This genoQs Octopus Classic Legacy is one of the first ones to make it into the United States. This German sequencer is absolutely beautiful in hardwood and in great condition; its built like a tank! For those unfamiliar with this hardware sequencer, it is currently only a MIDI sequencer but I suspect since the operating system is Open Source (thank you genoQs!!!) that there could be an OSC version coming…we’ll have to wait and see on that.
The sequencer may look intimidating at first; but after you get your head around the workflow it actually is very musical and easy to create great sequences with. It has 2 MIDI ports (A & B) with an In/Out for 16-channels on each port. The circle area controls the transport, chording, transpose, bpm and other various sequencer controls. The rectangle grid are the sequencer tracks. 10 rows of 16 steps that can be expanded to a single track of 160 steps, or any number of tracks/step combinations that you desire. Completely configurable. One way I like to use this is set up a page with each of the 10 rows being a different MIDI note number. Then you can craft your sequence across the 16 steps and always be in key (one thing I didn’t like about older analog sequencers without quantization). Of course, this is just one way to craft patches with the sequencer; there are many many more!
Another cool feature of this sequencer is it is a great hardware sequencer for your software/laptop setup. You can control Ableton, Logic or other sequencing packages and configure all the knobs (which have many banks to extend the amount of knobs) to be real-time control of whatever parameters of your soft synths! So you are in full control of your soft synths with an analog-style sequencer; with plenty of knobs to change parameters in real-time! This is another amazing way to utilize the sequencer.
If you are familiar with Elektron style sequencers and parameter locks; the Octopus can do this too. On any given step of your sequence you can adjust anything of that step (note, length, start, etc etc etc etc); whether you’re hooked to a laptop, keyboard, drum machine, sampler or whatever. The object-based design makes the user interface powerful and you’ll be creating amazing patterns quickly. There are also really great chording features with a “strum” mode and transpose is powerful in performance too. For editing, you can play around in a temporary “buffer” and if you want to revert it is a simply click away! The sequencer then lets you chain with some really sweet chaining features.
You can record from an external keyboard/sequencer/computer to load your sequences. I was able to make it control surround sound using MIDI CCs which is really sweet by recording surround control from my iPad! I suspect with a little work you can control all your Christmas lights with this thing too…it has been a dream of mine to do; but I’m not a Christmas lights kind of guy…
There are 3 general modes, the Grid mode which is mainly used for control of patterns; double-clicking on a button in the grid drills you into one of the 160 pages which is full of your tracks with sequences. You can adjust, create, delete, and generally control your sequences from this mode. However, double-clicking on a button in Page Mode takes you into the step mode on that step where you can see and adjust all the detailed parameters of a given step. The Esc button takes you back out a level; so everything this can do is basically one or two button presses away. Note there is no LED or computer screen; this is a good thing with this sequencer!!! Again, once you understand the paradigm it is a simple and powerful sequencer! I’ve demoed this for very sophisticated software sequencing musicians before and they wanted to write a Max/Ableton patch to give a computer-based representation of the sequencer…I just laugh as they obviously don’t “get it” and are making things way way too complicated!
If you’re familiar with the classic Latronic Notron sequencer, this also has the concept of hyper steps; I believe the Notron was the initial inspiration for this sequencer.
I recommend you visit YouTube and do a search as there are some great instructional how-to videos that will get you up to speed very quickly!
then this one… http://www.youtube.com/watch?v=fiK6SCRRMIw&feature=related
This isn’t an iPad or computer; it is hardware, so you will need to take a little time with the manual and/or these how-to videos but I was able to get great music out of this within an hour of opening the box! Heck, the first thing I did was drag your hand across the grid and then sit in awe for minutes on how amazing this sequencer is! Once you have the basics down the unit becomes intuitive and very quick to create music and sequences! For me, only one other manufacturer of gear has ever been as creative (Elektron Sweden).
The unit is in great condition and has only been out of the house once–I used it at an smoke-free venue for an electronic music festival. Laptop jocks take note…with this thing in front of you, there will be a line of people watching you memorized by all the blinking 3 color LED lights, silver ball bearing buttons and custom made brushed bolt/knobs. It really adds a dimension to a live show, especially if you are mainly a laptop jock–it’s the perfect companion (I think watching laptop jocks perform is rather boring; add an Octopus and your audience will be transformed!). There is nothing better, however, than having the Octopus sitting next to a modular analog synthesizer; it’s the perfect compliment for any studio or live rig!
So, why am I getting rid of it you ask? I acquired a limited edition version (Black Sea) and that is just more eye candy (like that is needed as this is already ultra-eye candy, but I’m a guy and a gear nerd, so I had to have it)! I’m actually torn as I really like the Classic Legacy version (this one I’m offering) too; it sits beautifully in my studio that has several synths with wood sides. I guess I _may_ be able to be talked out of the Black Sea version instead; but that will require a lot more in trade/cash to persuade me!
I’m looking for analog polyphonic (or perhaps monophonic?) keyboard synthesizers…Dave Smith, Moog, Alesis A6 that type of thing; but am open to suggestions.
Shoot me an email if you have interest in any kind of trade or cash offers and we can go from there.